The Secret Feminist Cabal: A Cultural History of Science Fiction Feminisms $19 (paperback) | |
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winner of 2010 William Atheling, Jr. Award
Honor List for the James Tiptree, Jr. Award
nominated for 2010 Hugo Award
In her cultural history of science fiction feminisms, Dr. Merrick explores
the stories told about feminist science fiction by the various communities
responsible for creating feminist sf culture, including authors, editors,
fans, and scholars from across the disciplines. The Secret Feminist Cabal
will appeal to every member of the feminist sf community, to fans and
critics interested in the history of the science fiction genre, and to
anyone interested in the production of feminist culture, history, and
theory.
Advance Praise
"I really enjoyed this. It's a wonderfully thorough, analytical, and
inclusive account, sure to become an indispensable resource. Better than
that, it's a terrific read. Here you'll find everything you always wanted
to know about women in fandom, women in publishing, women as
writers. . . with the added value that the snippets of tasty vintage gossip
are woven into a rich fabric of discourse. Helen Merrick's style is
unassuming yet authoritative; she manages to be a scholar and an
entertainer at the same time. Years ago, I read Women of Other Worlds,
edited by Helen Merrick and Tess Williams, and was impressed. The Secret
Feminist Cabal is more demanding, an ambitious project, but equally
successful: this is a fine book. "
— Gwyneth Jones, author of White Queen and
Deconstructing the Starships
"An amazing book for cultural analysts of all kinds. This is a story-laden
feminism, one that weaves together not only the historical contexts for
women's presences in SF and the varieties of feminisms women did and did
not espouse, but tells us HOW all this happened. Merrick's work allows us
to learn how to practice this kind of story-telling ourselves,
demonstrating how many knowledge worlds co-created feminist SF. She has a
genius for letting us feel out what one knows and embodies when trafficking
among worlds of academic critique, commercial publication, visionary
futures, institutional intervention, and science studies. She teases out
how dynamic networks linking stories and publications respond to new
contexts, newly reattaching meanings to feminist SF itself, the body and
embodiments, cyberpunk and cyborg feminisms, feminist versions of
naturecultures, and sexual and racial politics. The very basis for what
might count as feminist SF, for better or worse, is de-normalized and
re-genred year after year, as told in cautionary stories about the James
Tiptree Jr. Award, titled after pseudonymous feminist author Alice
Sheldon's pen name. Perfect for teachers, theorists, authors and critics,
and for fans, The Secret Feminist Cabal is a new kind of transdisciplinary
writing, a demonstration of the spaces that are continually coming into
being for increasingly complex practices known as feminisms in SF."
— Katie
King, author of Theory in Its Feminist Travels: Conversations in
U.S. Women's Movements
"The Secret Feminist Cabal is an extended answer to the question Helen
Merrick asks in her introduction: "why do I read feminist sf?" In this
wide-ranging cultural history we are introduced to a multiplicity of sf
feminisms as Merrick takes readers on a tour of the early days of sf
fandom, tracks the upheavals of the 1950s and 1960s and the explosions of
feminist sf in the 1970s, and contextualizes subsequent developments in
feminist sf scholarship. Her history is expansive and inclusive: it ranges
from North America to the UK to Australia; it tells us about readers, fans,
and academics as well as about writers, editors, and publishers; and it
examines the often uneasy intersections of feminist theory and popular
culture. Merrick brings things up to date with considerations of feminist
cyberfiction and feminist science and technology studies, and she concludes
with an intriguing review of the Tiptree Award as it illuminates current
debates in the feminist sf community. Broadly informed, theoretically
astute, and often revisionary, The Secret Feminist Cabal is an
indispensable social and cultural history of the girls who have been
plugged into science fiction."
— Veronica Hollinger, co-editor of
Edging into the Future,
Blood Read: the Vampire as Metaphor in Contemporary Culture,
and Queer Universes
Reviews
"Merrick boldly goes where no...academician has gone before and brings
back an entertaining tale of women writers, editors, publishers and
fans. It's SF convention girl-gossip channeled by a university scholar. The
results are bracing, well-informed, and sort of shocking. Literature and
feminism entwined in an unusual manner in that primordial soup. What
emerged was, not surprisingly, sort of magical.... What's interesting to
more general readers is the existence of an intensely active, intensely
intelligent literary, cultural and sexual discussion taking place in the
back waters of a genre that many think begins and ends with, as U2 calls
them, "Stories for Boys." You'll meet a lot of wonderfully outspoken women
in this book, writers, critics and, critically, fans." (
read the whole review)
— Rick Kleffel, The
Agony Column, November 2009
The Secret Feminist Cabal provides a context for many of the recent
online discussions about gender and the politics of gender. The book is
brilliant in how it fills in a potentially lost history of the genre,
detailing the involvement of female fans in the genre community from the
early days, the birth of feminist SF and criticism, and also the many
arguments back and forth between male and female writers in the 1970s and
1980s. I may be unaware of similar books on this subject, but for me it was
fascinating to read Merrick's documentation of discussions between writers
like Joanna Russ and Michael G. Coney. Better yet, Merrick's excellent
prose makes The Secret Feminist Cabal a compulsive reading
experience. (For an even more complete reading experience, read the Merrick
in conjunction with another excellent nonfiction book from 2009, the Farah
Mendelsohn-edited On Joanna Russ; it contains a variety of perspectives on
Russ and her work from, among others, Gary K. Wolfe, Samuel R. Delany,
Graham Sleight, and Merrick herself.)"
— Jeff VanderMeer, Locus Online, February 11,
2010
Merrick had me from her Preface, where she describes her journey towards
writing the book in ways that resonated deeply with me, from the nerdy
adolescent to the discovery of feminism and the dismay that many female
acquaintances not only do not share our love of science fiction, they are
completely mystified by it. Having only recently discovered the niche
community that is sf fandom, the fact that so much of this book is
concerned with expressions of feminism within that community—and how they
impacted on sf broadly—was the icing on the cake...
... A critical work based in a deep-seated love of the genre, Cabal is a
testament to the enduring impact of women, feminism, and fandom on the
fractured behemoth that is science fiction. 2010 saw it shortlisted on the
Hugo ballot for Best Related Work, and win the fan-voted William Atheling
award for best critical work. These are well-deserved honours. It is to be
hoped that coming generations of both writers and fans will make use of the
cornucopia of references Merrick has gathered, both to understand the
history of the field and because most of them make for wonderful reading.
(read the whole review)
— Alexandra Pierce, Australian Speculative Fiction
in Focus, September 19, 2010
ISBN: 978-1-933500-33-1 (13 digit)
Publication Date: Dec 2009
paperback 360 pages
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